Poetry

This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another. This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms 'human' and 'being.' When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that 'Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.' Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression. Arakawa is an architect and artist, and Madeline Gins is a poet and novelist. Their work has been exhibited inter more...

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Sarah Holland-Batt's Aria, winner of the 2007 Thomas Shapcott Poetry Prize, is a striking debut. Like piano music heard througha high window, the language is haunting but entirely of this world. The poems are awake to the dark constellations of art and hi more...

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Arion's Lyre examines how Hellenistic poetic culture adapted, reinterpreted, and transformed Archaic Greek lyric through a complex process of textual, cultural, and creative reception. Looking at the ways in which the poetry of Sappho, Alcaeus, Ibycus, Anacreon, and Simonides was preserved, edited, and read by Hellenistic scholars and poets, the book shows that Archaic poets often look very different in the new social, cultural, and political setting of Hellenistic Alexandria. For example, the Alexandrian Sappho evolves from the singer of Archaic Lesbos but has distinct associations and contexts, from Ptolemaic politics and Macedonian queens to the new phenomenon of the poetry book and an Alexandrian scholarship intent on preservation and codification. A study of Hellenistic poetic culture and an interpretation of some of the Archaic poets it so lovingly preserved, Arion's Lyre is also an examination of how one poetic culture reads another--and how modern readings of ancient poetry are filtered and shaped by earlier readings. more...

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Preface. 1. Word Choice. 2. Syntax and the Poetic Line. 3. Images: Simile and Metaphor. 4. Metaphor and the Sonnet. 5. The Sonnet. 6. Poetic Conventions. 7. More Verse Forms. 8. Personification. 9. Poetic Voice. 10. Gender and Poetic Voice. 11. Poetic Rhythm: Metric. 12. Poetic Rhythm: Sound and Rhyme. 13. Rhetoric: More Tropes. 14. Incomplete Figures and the Art of Reading. Appendix. Glossary. Bibliographical Backgrounds. Index of Poems. Index of Poets. Index of Terms and Topics more...

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Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. It encourages readers to confront the difficulties involved in tackling this literature and to identify with the modernists' sense of the revolutionary possibilities of their art. Altieri's account embraces four generations of American poets, tracing the ambitions, the disillusionments and the continuities of modernist poetry through to the 1980s. He describes how the sense of liberation created by early modernist formal experiments was followed by disappointment as the limitations of these discoveries emerged. He contends that, in response, poets such as Wallace Stevens and W. H. Auden reformulated modernist strategies to develop new ways for poetry to take social responsibility. Finally, he shows how these transformations were carried through by later poets such as Elizabeth Bishop, Robert Lowell, Adrienne Rich and Robert Creeley, with whom the narrative ends. more...

Price: $75.95