Literary Criticism : American

Ch. 1. American Wilderness--An Introduction, Michael Lewis. Ch. 2. American Wilderness and First Contact, Melanie Perreault. Ch. 3. Religion "Irradiates" the Wilderness, Mark Stoll. Ch. 4. Farm Against Forest, Steven Stoll. Ch. 5. Natural History, Romanticism, and Thoreau, Bradley P. Dean. Ch. 6. The Fate of Wilderness in American Landscape Art: The Dilemmas of "Nature's Nation", Angela Miller. Ch. 7. Wilderness Parks and Their Discontents, Benjamin Johnson. Ch. 8. A Sylvan Prospect: John Muir, Gifford Pinchot, and Early Twentieth-Century Conservatism, Char Miller. Ch. 9. Gender and Wilderness Conservation, Kimberly A. Jarvis. Ch. 10. Putting Wilderness in Context: The Interwar Origins of the Modern Wilderness Idea, Paul Sutter. Ch. 11. Loving the Wild in Postwar America, Mark Harvey. Ch. 12. Wilderness and Conservation Science, Michael Lewis. Ch. 13. Creating Wild Places from Domesticated Landscapes: The Internationalization of the American Wilderness Concept, Christopher Conte. Ch. 14. The Politics of Modern Wilderness, James Morton Turner. Epilogue: Nature, Liberty, and Equality, Donald Worster. Recommended Readings more...

Price: $80.00

Anglophilia charts the phenomenon of the love of Britain that emerged after the Revolution and remains in the character of U.S. society and class, the style of academic life, and the idea of American intellectualism. But as Tamarkin shows, this Anglophilia was more than just an elite nostalgia; it was popular devotion that made reverence for British tradition instrumental to the psychological innovations of democracy. Anglophilia spoke to fantasies of cultural belonging, polite sociability, and, finally, deference itself as an affective practice within egalitarian politics. Tamarkin traces the wide-ranging effects of anglophilia on American literature, art and intellectual life in the early nineteenth century, as well as its influence in arguments against slavery, in the politics of Union, and in the dialectics of liberty and loyalty before the civil war. By working beyond narratives of British influence, Tamarkin highlights a more intricate culture of American response, one that included Whig elites, college students, radical democrats, urban immigrants, and African Americans. Ultimately, Anglophila argues that that the love of Britain was not simply a fetish or form of shame-a release from the burdens of American culture-but an anachronistic structure of attachement in which U.S. Identity was lived in other languages of national expression. more...

Price: $35.00

Drawing on feminist and Foucauldian theory, Quinby offers a powerful critique of the millenarian rhetoric that pervades American culture. Tracing the deployment of power through systems of alliance, sexuality, and technology, the author promotes a variety of critical stances—genealogical feminism, an ethics of the flesh, and “pissed criticism”—as challenges to apocalyptic claims for absolute truth and universal morality. more...

Price: $60.00

Apostles of Modernity offers an original, in-depth study of the literary manifestations of this period of globalism in novels, memoirs, essays, reportage, and political commentary. Through close readings of texts Reynolds revisits and reassesses U.S. internationalism, showing how writers and intellectuals engaged with a cluster of topics: decolonization, the rise of the Third World, Islamic difference, the end of European empires, China’s enduring significance, and transatlantic and cosmopolitan identities. Throughout, the ideals of the United States as "apostle of modernity" and sponsor of "development" feature as central to American letters in the decades after World War II. more...

Price: $50.00

In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway’s short story aesthetics. Lamb locates Hemingway’s art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction.Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author’s famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway’s art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway’s story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway’s craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces more...

Price: $45.00